Showing posts with label Biennale of Sydney. Show all posts
Showing posts with label Biennale of Sydney. Show all posts

Saturday, 24 May 2014

Event For A Stage - Review

Review originally posted at
Venue: Carriageworks (Eveleigh NSW), May 1 – 4, 2014
Artist: Tacita Dean
Actor: Stephen Dillane

Theatre review
English visual artist Tacita Dean’s Event For A Stage is her first work in the “live theatre” medium. Unsurprisingly, the piece is not concerned with theatrical conventions, and it certainly places no interest on the fabrication of a narrative. The rectangular stage is surrounded by audiences on all 4 sides, and Dean, the artist sits front row with us, in a darkened corner. A big chalk circle is drawn on the stage, with two people operating a video camera within the circle, and another two people outside of it. A microphone is suspended from the fly bars into the middle of the circle. For the duration of the 45-minute work, the actor Stephen Dillane walks around the stage, usually following the chalk line, but uses regular disruptions to the circular stroll to create a sense of action or to emphasise certain points in his monologue.

Over the course of the performance, Dillane walks up to Dean and obtains, with visible resentment, sheets of theatre and performance theory, which he reads aloud, effectively using them as scripts. The writing is insightful and fascinating, and Dillane’s interpretation of them is thoroughly compelling. In addition to Dean’s sheets of paper, Dillane also gives us coherent and interesting accounts of conversations he has had with the artist, or about events and people from his personal life. Further, he reads sections from a slim novel he keeps in his pocket, and performs extracts from Shakespeare’s The Tempest. The work however, is not about stories. Its main crux deals with the nature of theatre and performance, the sociology of spaces in a theatrical venue, and the relational dynamics between artists and audiences.

There are layers upon layers of ideas that are touched upon in this deconstruction of performative spaces. Things get complex, but Dillane’s supreme ability to connect, keeps us from confusion or perplexity. One of the main themes discussed relates to contrivances that arise from the convergence of creators and spectators. The presence of video cameras helps illustrate the point, while simultaneously adding to the multiplicity of the artist’s concepts in its obvious extension into other televised or filmic media. Dillane also talks about the danger that sits below the surface of theatrical artifices, and his close proximity from us is a constant threat to our presumption of security, with the cameras amplifying the stakes at hand.

Event For A Stage approaches theatre with concepts and conventions from the visual art world, in a collision of forms that is fresh and exciting. It seeks not to emulate familiar precedents, but like all great works of theatre, it enthrals, intrigues and informs, even if its subject matter (its self) is a little haughty.

Monday, 16 July 2012

Biennale of Sydney Review

The Biennale

Deep in the heart of Sydney is a vibrant beat that pulses through the exhibition of Modern Art, commonly known the Biennale. This year, Cockatoo Island, among other locations, hosts the 18th Biennale of Sydney and this free event is a spectacle not to be missed. Running from the 27th of June, through to the 16th of September, this exhibition showcases art installations of an international standard, with many an installation being a stimulus for your personal thoughtplay. It includes strange and superb interactive pieces, with many of them causing your to pause, for a moment and take off the glasses you commonly wear, to view the world in a different way.

Imagine walking into an old warehouse to see an orange curtain billowing in the wind. Although you admit the gracefulness of this ephemeral movement is quite magical in itself, you become surprised to learn that this silk was hand-woven, and this fabric was indeed dyed in Fanta.